A few months back, we built four U-87 clone microphones here at the studio. They’ve since been in regular use in many of the roles an 87 might play in a busy studio; string section, saxes and other winds, lead and group vocals, guitars and amps, and they are fantastic. They have all the depth, tone, accuracy (and inaccuracy) and proximity effect signature of microphones that cost at least 6 times as much.
Since so many people have been asking for details on the build, my friend and colleague Daniel Noga, who headed the whole mic build project, did this great write up on the entire process from ordering parts to listening to the final build. We hope that you find it as useful and informative as we found the process!
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Recording James and The Giant Peach at MSR Studios
2014 was such a wonderful year for us. Among the many, many wonderful projects, The Chris McDonald Jazz Orchestra’s No Pews Required and two big album releases in Latin music, Oscar d’Leon’s Classicos de Big Band and Ricardo Arjona’s Viaje were especially fun to contribute to. Read the rest of this entry
Thought I’d share this fan video of the Christmas parade I just did in September. Though it’s hard to discern the individual float audio, you can get a rough idea of how complicated the audio production for a parade can be. There are looped sections for marches, and each float has it’s own unique overlay music and voice playback that has to be perfectly synched to the underlaying music playing through speaker systems along the parade route.
Caution: the first section loops until around 5:09… this may cause you agony, so feel free to skip ahead!