Recently, Producer Iker Gastaminza came in from Miami with two of the founding members of Venezuelan pop sensation Voz Vies. Santiago and Luis Castillo are finishing production of their first release under the new group name San Luis. Part of the new sound they were looking for was the synergy of great musicians tracking live, something done less and less often in latin pop music. Toward this end Iker suggested coming to Nashville to work with myself and arranger Chris McDonald. Read the rest of this entry »
I thought I’d share a bit of our production music for Royal Caribbean’s Saturday Night Fever. This project was very fun to record and it looks like the full theatrical production will be really spectacular. Enjoy!
RCL’s preview video
Preparing and using midi files and tempo maps for live recording
If you’re a composer today, you’re often tasked with twice the work you once were. Not only are you composing a score, but also creating an elaborate virtual instrument mock-up (or even final master recording) of the composition at the same time. When you add all of the hybrid musical styles used in scoring for games or picture, you end up with an almost infinite number of combinations of work-flow, software, and virtual/live instrumentation to manage – all within the allotted time and budget.
If only there was a tool that could allow you to successfully manage all these tasks, from composition to final audio master.
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In the early 1970′s, music was getting heavier and more serious all the time. Rock bands were writing album long epic journeys, and Funk became the soundtrack for a wide audience as race relations changed in America. Disco, on the other hand, was more about feeling good and forgetting your daily cares, so it’s little wonder that, at the time, Disco was thought by many to be a mindless or soulless musical movement. Read the rest of this entry »
When I arrived home last Friday, after a long day of tracking, my daughter asked me how my day was.
“Really fun, I was working with a great singer today”, I replied.
“Did you have to, you know… work on his vocals?” she asked. Daisy knows too much about studios.
“Not a bit” was my reply.
Music Game Studio makes game play versions of artists songs for games like Rock Band, and we’ve got a brand new look!
The site has individual artist pages for our artists. Each has a photo, bio, links for more information, and of course links to their games! There is also a Video page; an easy to navigate, easy to watch collection of preview videos for all of our games. Come see our work in action, or just relax and listen to some great music.
Wow, what a month. In just four weeks I’ve recorded orchestral scores for 4 productions I’m doing. Two great projects for Disney, The Little Mermaid and an adaptation of Winnie The Pooh, an adaptation of The Wizard of Oz, and a new Christmas show for Busch Gardens Williamsburg featuring scoring from the Vancouver Olympic opening ceremony. All told, 129 pieces of music.
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In an age where being versatile is not only respected but essential, I feel very privileged to work on such a wide range of excellent projects.
Recently, among other things, I’ve finished production on a development project for alt-indy rockers The Pursuits; a production of Miss Saigon for MTI; Camp Rock, The Musical for Disney; mixing for new pop diva B.E.T.A (watch for her…. she’s killer); and mixing of a re-record by cowpunk rockabilly legends Dash Rip Rock of their hit Johnny Ace for Rockband.
Here are some selections I’d love to share…. pass it around!
If you don’t know already, my company Music Game Studio makes game play versions of artists songs. more on that here. And we have Youtube and Vimeo channels of our game creations as well!
In the last week of July, production for Disney’s “Camp Rock – The Musical” began in earnest here at our studio. The musical is a new theatrical work based on the songs and characters of Disney Channel movies “Camp Rock” and “Camp Rock 2″ (set to air Sept 3).










