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Indie guide to licensing

Licensing explained for Indie artists and labels

I spend most of my professional life helping artists, bands and other clients through the process of music production. Like most of the people I work with, my love of making music is why I do what I do but it’s foolish to forget that we have business to take care of as well, so here are some thoughts and tools for rounding out your plan for Indie (or even Label) domination.

7 Steps To A Glorious Future

Yes, there is more to making a record than just production. This is why, for decades, people gladly signed over most of their profits (and most of their rights) to Record Labels, because they handled all the dirty work (leaving rock stars free to be rock stars). Let’s look at a rough sketch of the steps involved in making a successful master recording. Read the rest of this entry »

In the studio with The Pursuits

I’ve been working with Nashville based Alt Rock band, The Pursuits. Good songs, interesting guitar textures, thoughtful vocal performances…. Read the rest of this entry »

For as long as I can remember, being signed to a major label was the only way to get good, high-profile commercial radio play. For indie artists the quest for radio airplay often still leads them backwards toward the broken model of “the major label deal”, thinking that this is their only path to big time recognition.

I’ve had a lot of conversations with friends and clients about this (I think it’s an important subject for anyone trying to keep a career in music) and was putting some ideas together for a post, when I came across this excellent blog post on cdbaby (their new site looks great, by the way) about this very thing, and I think it’s full of great insights. This is a must-read for anyone trying to be heard.

diymusician.cdbaby.com/2009/07/radio-promotion-why-you-wont-get-commercial-airplay/

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